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BOWDON CROQUET CLUB
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Hints to High Bisquers
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Introduction
There are high bisquers at croquet who still
have much to learn when playing against expert opponents. Nearly always the
tactical shortcomings are of an obvious kind and are betrayed in a
weaker player over-much concerned with difficulties of execution. The only
safeguard is to appreciate certain accepted maxims and on no condition to
depart from them.
These “Hints” have been
compiled with this end in view and are taken from the Croquet Association
“Gazette”.
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1. The Opening
When receiving many bisques it
is always better, should you win the toss, to put your strong opponent in. The justification
for this being that had he won he would almost certainly have put you in,
his object being to hit in (fourth ball) with a reasonable chance of going
round having all the balls in play. Should you be compelled to start, play
to near corner 4 and he will probably lay a tice on the west boundary. If
he does, aim at this! Don’t join your
partner ball! Missing him (not that you need do so) from corner
1 will land you in the vicinity of corner 2 and leave your opponent, if
he hits, a difficult break to establish. A bisque of half-bisque (or both)
may then almost certainly be used to advantage with your next succeeding
turn, particularly should your opponent have failed in negotiating the first
hoop.
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2. The Half-Bisque
Where you have many bisques and
also a half-bisque, don’t forget the half-bisque;
use it early in the game, if possible. The best use you can put it to is
to lay your first break, with a bisque immediately to follow. But this is
by no means its only use. Bisques are too often expended where a half-bisque
would serve just as well, e.g. where there is little prospect of you scoring
even a point though it is essential to gain the innings. Avoid this mistake
on the first occasion that arises. To leave your half-bisque to the very
end may deprive you of most of its advantage should one of your balls get
pegged-out. Use the half-bisque
early! The earlier the better is a sound general rule. Remember
that whole bisques always carry the value of half-bisques, but never vice
versa.
A word about the half-bisque. This
can often be used many times over if, when shooting at a ball you ought
to hit and expect to hit, you do hit but dare to shoot at only because you
have the half-bisque. No player should ever boast “I won without using my
bisque”. It is an untrue boast, the bisque is always there and the opponent
has had to fight it. Those who learn to use bisques without spending them
will soon reach the coveted – Class.
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3. The Defensive Bisque
The
value of a bisque may be two-fold: it may prevent your opponent from advancing
his position or may serve to advance your own. Before deciding if a bisque
will be useful, the first of these considerations, though often the more
important, is frequently disregarded. The bisque or half-bisque has a defensive
value and you have to consider what advantage your opponent might reasonably
obtain should you decide against taking it. If his break is difficult to
set up you may often afford to give him the innings, with a prospect of saving
your bisque or using it to better advantage with your next-succeeding turn.
Again, you may be letting in your opponent’s forward ball which, having
no more points to make, has been robbed of all its terrors. Conversely,
of course, you may be letting in his backward ball with a chance of him finishing
the game, in which case your bisque is essential. Do not, then, think only
of the advantage that a bisque may bring to your own playing ball.
Consider just as carefully the position from your opponent’s point of view.
All of which illustrates the maxim: never take or refuse to take bisques
in haste!
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4. The Offensive Bisque
What sort of a bisque has the greatest
offensive value? Unless your break is perfectly laid, clearly not the bisque
which you are forced to take on the nearest ball after missing a roquet
or hoop. Far more useful is the bisque deliberately anticipated while
you have still a stroke in hand. Failure to appreciate this difference is
the commonest and costliest mistake among high bisquers! The offensive bisque
can be put to no better use than that of establishing a simple four-ball
break, and this can seldom be done unless you first shoot at or play up to
the most distant ball on the lawn; it rarely pays you to go with your bisque
in mind to a nearer ball simply because it is nearer. Distant balls nearly
always want tidying up. It is generally better to sacrifice a half-bisque
and bisque (or even two bisques in succession) to get all the balls well
placed than to take a single bisque, say, to make a single hoop. Remember
that the well-laid four-ball break is the very essence of Croquet; it is
the one thing above all others which your opponent dreads you establishing.
There are few, if any, positions on the lawn from which, when all the balls
are in play, a four-ball break cannot easily be collected with the use of (at most) two bisques. Time and again,
it will pay you to think this out carefully, while you have a stroke in hand.
Go out to win the game in the easiest and quickest way, not in the longest
and most difficult.
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5. The Leave
A long chapter might suitably be written on “How
to leave the Balls” at the close of a successful turn but a short hint
or two may be worth remembering.
i. It is better to leave
your own two balls together near a boundary than at your next hoop so that
the
opponent’s ball, if he shoots at you and misses, may be used to advantage
with the first roquet of your
next turn.
ii.
It is better to leave
your opponent’s balls separated within or nearly within the hoop area than
to
dismiss them to remote boundaries; their positions, of course, should be
determined with a view to
your next break. Put one at your next hoop and the other where it
can best be used for your break.
iii.
If you are Blue and
Black avoid leaving Red near Yellow’s hoop and Yellow near Red’s hoop. If
your
opponent’s balls are
for different hoops it is generally wiser to send each ball to its own hoop
– a
simple tip and one often worth remembering. Avoid leaving your opponent
a “sitting” break in the
event of him hitting in.
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6. The Long Join-Up Against
You
Your
strong opponent, preferring not to shoot into your game, may join his partner-ball
on a boundary, say, seven yards wide of it; though this would be
impossible (see Hint 5) had neither of his balls been “left” near boundaries.
The manoeuvre is disconcerting: you can get no immediate break from this
position, while it is unwise to leave him with a strong chance of him getting
the innings. Unless making your hoop is relatively certain, take off first
to one of his balls – the more distant ball is frequently the better one
to choose. Even if your hoop is a certainty, it may be wiser to take off
first with a view to a useful bisque since you leave your partner-ball at
your hoop to be roqueted again with the bisque turn. The join-up being wide
is against you getting an immediate break but is more in favour of you laying
one since you have more room to get both opponent balls into the lawn and
less need to leave one near to the boundary. Endeavour, then, to meet this
manoeuvre by laying yourself a break; when done, take a bisque or not according
to the number you have left.
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7. General Scheme of Play
Practise
the four-ball break! Unless or until you can make headway with this it is
useless to play in tournaments. Practise it diligently with unlimited bisques:
find out the average number you require for an all-round break. The strong
player aims at winning his game with two (or at most three) break-turns.
With the aid of your bisques you ought to do the same. If you receive, say,
20 bisques from a strong player you should go all-out to beat him in three*
successful break-turns. Provided that you have not (by disreagarding Hint
1) let him get round with his fourth ball in play, you have more than a
good chance. A reasonable apportionment of bisques might be as follows:
take, say, 2 bisques to lay your break perfectly with Blue and 7 more (in
case of break-downs) to take that ball as far as 4-back – all this without
leaving the lawn. Your opponent may now hit in: he possibly will. He may
triple-peel your Blue and peg it out but he probably won’t. Then,
if necessary, again take 2 bisques to lay the ideal break with your Black
and 7 more to get Black round to peg. Another shot is then risked which,
if missed, leaves you a short finish with 2 bisques in hand to accomplish
it.
* Current
thinking is that you should go to the peg with your first ball and if you
are reasonably confident that you have enough bisques left, leave all 4
balls on the boundary: you opponent’s balls separated and yours
widely joined, so that if your opponent hits, the chances of him establishing
a break and pegging out are minimised. The more adventurous will try to
wire your opponent’s balls at hoop 1 and remove your own balls to near corner
3. This is not only the easiest method but, indeed, it saves you having to
set up a third turn. But, above all, remember the importance of first taking
bisques to lay four-ball breaks!
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8. Hoops
To eyes and fingers that are unpractised,
the threading of a needle is no easy matter; but no one tries to do this
by jabbing the thread against the needle eye. Threading hoops, until you
know how to do it, is also ticklish business requiring practice and perseverance
– but never, never jab/stab at your hoops! Take accurate and deliberate
aim, then go slowly and quietly to work hitting/stroking your ball
smoothly with follow through, not forcibly but with a certain coaxing tilt
which, if the aim is true, is bound to send it through. Either you
have discovered this particular stroke or you have not, but you can always
discover it with practice and make it a matter of habit. In the course
of your break, when receiving bisques, you are faced with a difficult hoop,
remember, before attempting it, the consequences of sticking against the
dead wire with the necessity of expending two bisques before your break
can be resumed. How often does one see this regrettable catastrophe happen?!
It is, therefore, frequently better to use your last ordinary stroke
in again playing behind the ball off which you are making the hoop and so
expending only a single bisque – or, perhaps, better still going off
first to some more distant ball to gather it more tidily into your break.
Hoop nerves, with most of us an occasional affliction, need never become
an obsession. Practice the hoop-running stroke! It is a “knack” which is
readily acquired.
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9. Roquets
For
roquets, short or long, remember two golden rules:
i.
Keep as still as possible throughout the stroke: sufficient
movement of the arms is, of course, essential
but no movement whatever of feet, body,
shoulders or head. If it seems natural for the eyes to follow
the course of the stroke, this can still
be done without raising the head. Strike your own ball in its centre
with the centre of the face of your mallet and
follow well through. Even with the longest of shots you
should be able to remain in perfect poise
at the finish of the stroke.
ii.
Swing slowly back: the
slower your backswing the better your aim will be controlled. Some experts
swing back very little indeed, their shorter roquets being scarcely more
than pokes. On fast lawns very
little swing
back is necessary. In extent, curtail the backward swing to the minimum
consistent with the
strength of shot
required: in pace, you can hardly reduce it too much. Make up your mind that all
roquets are easy, since confidence gives you a better chance of hitting
them.
So don’t forget these two golden rules – Keep still! Slow back!
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10. Nerves
It is possible with some people
that, if called upon to recite the alphabet to save their life, they would
fail through excessive agitation. Be that as it may, one finds many less-experienced
croquet players who fail simply because they are playing in tournaments
with much appearing to depend upon the issue. The most effective cure is
to bring oneself to realise that nothing whatever depends upon the
issue – nothing, that is to say, at all comparable in importance with the
fact of having had a game well worth playing whatever its result may be.
Play every game to win or it is useless to play at all. But of far greater
importance is to play your best game always, which you will seldom do if
you are perturbed as to its issue. Croquet is not worth a life-or-death affair
but is a friendly pastime at which you cannot do better than to cultivate
a sympathetic regard for your opponent. Cut out the “self” idea as much as
possible and you will cut out “nerves” by so doing. Take the line that you
must play your best out of compliment to your opponent, to give him
something to fight against and a game worth winning if he, and not you, is
eventually to win it. This frame of mind is incomparably better than
a state of nervous apprehension due to mere selfish dread of defeat. Play
the game for the sake of the game, not merely for yourself or for your handicap!
Nerves are a form of selfishness; try to appreciate this. It is your surest
way to overcome them.
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11. Etiquette, etc.
As a general rule, it is better
to concentrate on the game and to speak to or interfere with your opponent
as little as possible during its progress.This will almost always hold
good in the case of a player who is unknown to you since you have no right
to assume that he or she will not be “put off” by comments on your part.
Congratulations or commiserations are often best left to the end. Remember
that careful play need not mean slow play. If you keep alert with your wits
about you, you are far less likely to play slowly. Learn to think quickly
and cultivate a bright, quick style. This will make you a popular player
and help to make you a good one. The ideal is to take the maximum of pains
with the minimum of time expended.
For most of the time you are your own referee, therefore you should
be conversant with the laws of the game particularly those referring to
faults during the striking of the ball.
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12. How to Peg Out
Some players maintain that it easier to peg out another ball
with a croquet stroke than to hit the peg from the same distance with a single
ball. This may well be the case if proper care is taken in aligning the two
balls and if the stroke is firmly played. If, when playing Blue, you wish
to peg out both Black and Blue, arrange the balls approximately in line and
step back from the peg along the correct alignment. In so doing, notice the
crescent of the Black ball which appears above the Blue. For precise adjustment,
i.
the line of the peg continued along the ground must
exactly bisect this crescent, and
ii.
the crescent, so bisected, must be regular in form so
that an imaginary line joining the cusps of its
inverted horns is truly at right angles to the line continued down the peg;
by stooping low, the base
of the peg itself may be sighted over the centre of the crescent. When this
has been achieved strike
firmly with a drive shot, stopping your Blue near the peg; never roll the
balls together at the peg as
pull will be implanted onto the front ball. On reasonably true ground
this method should never fail,
though an attempt to peg out more gently may prove often a costly mistake.
The most accurate
method is to lie down on the ground to align the edges of the two balls
so that they appear
equidistant to either side of the peg.
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